The following songs, dragged out of the Baudelaire Void kicking and screaming like bloody moonchildren, are highlights from the infamous '120 Songs of Sodom' box set, an album so mysterious, no one is sure as to whether it actually exists, or if it is nothing more then an urban myth. The sequencing of the tracks is a puzzle that remains to be solved, but certain avant-garde rabbis on the lunatic fringe suggest the notion that it emulates a basic cabalistic formula. Track 11, 'DNA Blood Madonna,' is a totally new track created from the shells of broken dreams. Consisting of four radically different pieces, it is perhaps the most ambitious transmission yet from the entity known only as 'Sypha Nadon.'

This album is dedicated to Luigi Russolo and all those who carry his flame. To read Russolo’s classic manifesto “The Art of Noises” (and to get a glimpse of his beloved Intonarumori devices), consult this link:

Little else is known about the nature of these recordings, but we can put foward various esoteric theories: The aural soundtrack of a sentinent asylum's reptile brain? Otherwordly symphonies conducted by Transyuggothian orchestras? The dying gasps and last breaths of ancient video games from days long ago, now forgotten? Whatever the case, rock is dead, and as we enter a new Aeon of music, we burn away the old and herald the Future, the birth of the truly Alien Meta-Music of the Beyond, of which this recording is but a drop in the digital ocean of Time and Space and all that lies in between.